Desacordes de gênero em um movimento artístico-cultural: os lugares das mulheres no hip hop de Campina Grande-PB.

Abstract

This work is the result of research in Urban Anthropology and brings a debate on the participation of women in hip hop Campina Grande-PB. The objective of this work is to understand how the woman appears in the hip hop movement in the city, starting from a gender perspective. Having ethnography as the main method of research was done an analysis of how women are inserted and how their acceptance by men of the city movement. The chronological analysis from the emergence of hip hop globally until his arrival in the city of Campina Grande was of great importance to understand the dynamics of hip hop and how the woman is inserted. Within the scope of the research, we sought to do the mapping of the places that the young women of the hip hop movement attend, and the link they establish. To be a movement that had its origins in the street, one should not rule out that the street was and, in a way, remains a space for the male role. Being a movement composed of four elements, the woman appears in only two of these elements, the break and graffiti. This participation should be seen within relationships involving other social categories such as class, race, level of education. Paradoxically, it is still revealing a motion denouncing and combating various types of social exclusion, it produces himself, forms of social exclusion, which affects the women markedly.