Leoas, lobas e seus filhotes: a maternidade nas crônicas de gelo e fogo sob a ótica da psicanálise.

Abstract

Considering that psychoanalysis is able to provide a thorough study not only of literary novels, but also paintings, films and series, we will take the author's work George RR Martin entitled “A Song of Ice and Fire” as the object of our investigation. In this sense, we consider likely to resort to literary the characters as such the patients who come to us in the psychoanalytical clinic to report the fragments of his singular romance through the narratives of their anxieties, dilemmas, fantasies and dreams. This work is an attempt to articulate a focused relationship in motherhood aspect of the characters Cersei Lannister and Catelyn Stark, characters of the “Song of Ice and Fire”, popularly known as Game of Thrones with psychoanalytical concepts. Through a discussion, will bring a think about child development through the Freudian concept, the Oedipus Complex, joining the Castration Complex concept and how through them, Freud brings the three female outputs, in addition to the creation of opportunities in the subjectivity of women's conditions for the emergence of "good enough mother", Winnicott’s concept. Also will cover the relationship of the characters with their eldest sons, respectively, a bridge between the two mothers identifying aspects of their behavior will be held, the way their attitudes are triggered along the plot, which elected their children as love object, and consequently, as the leading end of characters, therefore. As Base will be worked in short Freudian theory, covering later authors such as Miller, Green. Laurent and others.