A poesia de Quintana e a pintura de Miró: onde a letra e o traço se confundem.

Abstract

The work with poetry and painting starts pointing to a comparative line, to draw similarities and differences between these forms of arts, considered sisters for a long time. According to Aguinaldo Jose Goncalves, studying Lessing, these similarities are consisted of what he called structural homologies, and pointed out a number of similar elements, art objects found in poetic or pictorial. When Aristotle has already studied the tragedy in his Poetics laid the foundations of this study, therefore it began to examine those arts from the viewpoint of development of criteria for identity and dissimilarity in some passages of his book. Although the statement has been considered too ancient, the study of such arts is still working as a new speech, but it arouse interest on academic areas daily. While studying in comparative way, works of we make up possibilities that enable to the researcher to develop patterns of similarities, even though the work and artist, belong to different realities, the work of Mario Quintana and Joan Miro are often very like alike. The result of this type of "frequentation" directed to the artistic object, has led to a range of possibilities for reading, which takes the reader / observer to bring more and more intensively, art in general.