“Não é a verdade que importa, mas a vitória”: imagens de Adolf Hitler no cinema e na historiografia (1900-1945).

Abstract

Hitler to this day is unknown to many, how he can come to power and dominate the Europe? Did all Germans worship him? Were all according to their methods? Given this, the paper intends to answer some questions related to the figure of the dictator hated by many. The relationship between cinema and history can help answer some questions. The work is based on writers who are true authorities. about Nazism and the figure of Hitler, also using film to give more credibility to work. The result is very interesting and inviting, working cinema and history is complex and challenging. approach and move away. The conclusion of the research shows the strength that communication has, whether through books or movies - Hitler knew how to use this vehicle to come to power, historians and filmmakers are getting closer to each other, leaving aside some differences. The work will contribute to future research. about women in Nazism.