A poesia de repente volta para casa: Itapetim no circuito de congressos de violeiros.

Abstract

The cantata of viola in na expression of popular poetry base don poetical narrative. Between the Cordel and the Embolada, it constitutes na improvise class. Altlthough, the cantata of viola congregates many ways of configuration, since the presentation in markets and public squares, passing by the cantata of bandeja, until the shape of Congress. The Congress begun like a exalting way for the repentist job at the urban context. On the other hand, the exemplo of Itapetim, shows like the rural poetry drinks from the urban experience fountain. The initial movement begun like a migracion way for the big cities and shows characteristics itinerants of improvised poetry. Nowadays, the experience lived by the Itapetim' singers mixture this two models. From this curse, is possible verify like the Congress at the non-urban space realizes a constant movement of creation, recreation and Tradicion's appopriation. From the idea of the tradition showed at this job, we could verify that in a pos-modern context, the own change is especular, making part of a creative moment, where the old and the new found, reivent and became actual it selves. The fact is that in a cultural complex and globalized context is each time more difficult to identify in the constitution of a cultural phenomenon the aspects that give bases for the traditional and modern experience, because of the multiple interactions succeed by this process. The example of the Amateurs' Congress confirms thathese interactions interfere until in the dynamic of the local culture.