LIMA, M. F.; http://lattes.cnpq.br/6331863936370390; LIMA, Mércia Ferreira de.
Résumé:
This work is the result of research in Urban Anthropology and brings a debate on
the participation of women in hip hop Campina Grande-PB. The objective of this
work is to understand how the woman appears in the hip hop movement in the
city, starting from a gender perspective. Having ethnography as the main method
of research was done an analysis of how women are inserted and how their
acceptance by men of the city movement. The chronological analysis from the
emergence of hip hop globally until his arrival in the city of Campina Grande was
of great importance to understand the dynamics of hip hop and how the woman is
inserted. Within the scope of the research, we sought to do the mapping of the
places that the young women of the hip hop movement attend, and the link they
establish. To be a movement that had its origins in the street, one should not rule
out that the street was and, in a way, remains a space for the male role. Being a
movement composed of four elements, the woman appears in only two of these
elements, the break and graffiti. This participation should be seen within
relationships involving other social categories such as class, race, level of
education. Paradoxically, it is still revealing a motion denouncing and combating
various types of social exclusion, it produces himself, forms of social exclusion,
which affects the women markedly.
