SOUSA, M. R.; http://lattes.cnpq.br/5540039753667039; SOUSA, Maria Ribeiro de.
Abstract:
The reading is the half more important for acquisition of knowledges. It is the basic
instrument for all the educational system, therefore it is essential to the pedagogical activity.
For so much, it does necessary that understand the context in which our students are inserted
so that we can help them in relation the one reading that go in addition to the superficial, in a
historical perspective-critical, contextualised. In this direction, the present study pretends to
show the importance of the literature of string while instrument of fiscal reading of multiple
senses. You say them, the histories the marks of the culture folk, of special way, transmitted
by the text of string, are matter-prime for the education of Portuguese Tongue in the
fundamental education. Like this, the here presented investigation objective, especially,
propose theoretical boardings-methodological of the literature of string in the classes of
Portuguese Tongue of the Fundamental Education II through the adoption of the gender
String, from the development of circles of reading, satisfied delineated by Cosson (2014), to
end to undertake new didactic senses-pedagogical of the use of this artistic production, in the
room of class. It does necessary, therefore, stand out through the present study, authors that
perceive the wealth of this literature, had like folk, once that this poetic gender finds
practically absent of the space of the rooms of class. Like this, here it assumes like theoretical
base, the postulates of the Analysis of French Speech, of the Pedagogy of the Reading, of the
theoretical and official guidelines for the education of Portuguese tongue and of his respective
literatures and the studies of the culture folk that treat, especially, of the literature of string. It
concludes by the present investigation, that the work with the poetry of String, one of the
strongest elements of the northeastern culture, wins special attention, seen that this poetic
gender provides new meanings about the exteriority of the language, of the tongue in his
contexts of production.