OLIVEIRA, T. B.; http://lattes.cnpq.br/0442709076778104; OLIVEIRA, Thomas Bruno.
Resumo:
Our historiographical path gave way to a historical narrative with emphasis on
horizontal experiences of urban popular of Campina Grande. Cartografamos the process
of materialization of second great urban transformation of Campina Grande occurred
between the 1970s and 1980s, denouncing the authoritarian political plots which gave a
dehumanizing and absolutely elitist to this new urban geometry physiognomy. Inspired
by the methodology of history Benjamin sharp contrast, we enter the symbolic universe
of the residents of San Joaquin Street, penetrating their subterranean memories that gave
visibility to a popular rich cultural heritage, but was destroyed by Campinense
bourgeois technocratic reason. Also dialogued with Certeau (1994), Norbert Elias and
John Scotson (2000) and Moreira (2012) in order to anchor the approach discussed in
this paper, discussing the concepts of ordinary individuals made possible by Certeau
and established and outsiders of Elias and Scotson and gentrification Moreira. Elected
as a methodological approach to Oral History in association with the evidentiary
method Ginzgurg (2011), where we seek a counterpoint between the popular collective
memory and collective institutional memory (Bosi, 2004), from the perspective of
realizing the institutional and technocratic gaze of established and the look of the
narrators of the city, outsiders (Elias, 2000). This historiographical crossing denounced
the authoritarianism of the Integrated Local Development Plan - PDLI once designed a
city for established campinenses, destroying urban experiences desfocavam the ideals of
order, cleanliness and beautification of the "owners of the city."
