Os croquis no processo projetivo: uma análise das representações gráficas de projetos de Acácio Gil Borsoi.

Abstract

The present work has as its object of study the analysis of five works by the carioca architect Acácio Gil Borsoi, which adopted the design principles of Modern Architecture as their language. The objective of this work is to analyze five works by Borsoi, through the reading of the architect's original drawings (both technical and sketches) and photographs. Graphic markings were made (in shades of orange) on the drawings and photographs, highlighting the solutions, characteristics and design intentions, which allowed a better understanding of the design process of the works chosen for analysis: the Lisanel de Melo Motta residence, the Santo Antônio, the Court of Justice of Piauí, the Fábrica Bombril Nordeste s/and the Legislative Assembly of Piauí. Thus, this work intends to contribute to the revaluation and rescue of the conceptual sketch as an instrument of knowledge and learning, analyzing and disseminating this instrument, opening the way for the debate on its importance. Therefore, it is justified by its academic relevance, as it can contribute to the development of new works, serving as a bibliographic reference on this important character and his work, which have not yet been deeply explored in this sense. As a methodology, Afonso's method of analysis (2019) was adopted, which analyzes the architectural object from 7 dimensions of architecture, namely: Normative, Historical, Spatial, Tectonic, Formal, Functional and Conservation.