Editoração e revisão comentada com atualização da simbologia de digitação para trombone baixo: utilização de aplicações Free and. OpenSource.

Abstract

This dissertation consists of an edited and commented review with an addendum to update the symbology of the use of fingering applied to the bass trombone method by the very important trombonist Gilberto Gagliardi (in memorian). This method was created based on the real needs of the author’s trombone studio while he taught at the Tatuí’s Conservatory of Music (Tatuí-SP). It is titled as: Editing and Commented Revision with Updating of Fingering for Bass Trombone: using Free and OpenSource applications and as the main assumption that drove the development of this research, it aims to correct the lack of musictext clarity in non-formal editing that generates deficit in musical construction. Thus, its main objective is: to offer a digitized and commented revision with updates of the nomenclature/typing of the keys for bass trombone by the author Gilberto Gagliardi making use of Free and OpenSource applications. As well as the specific ones in: To describe the historical points of the evolution of the bass trombone and the musicological contributions of the writer Gilberto Gagliardi (in memorian) to the trombone literature: Review and comment on the musical text of the method for bass trombone B - F - D; update fingering symbology for bass trombone method B - F - D; describe the editing / layout process using Free and OpenSource software; the possible answers to the intended problem rely on hypotheses that that having possession of professionally edited material with a superior display level increases the response of the construction of knowledge and instrumental practice in the face of systematic technical learning, furthers the consolidation of a new and improved form of writing for the use of bass trombone valves, which offers quality time to which the trombonist dedicates in daily practice routines. Yet, regarding the typology of research, a qualitative approach and as to the applied nature and finally its bibliographic technical process. With this work, through applied research and systematization, it was testified the compositions, historical profile and text-musical construction that resulted in a unique product for the trombone literature, as well as the perspectives and knowledge involved in the musical practices worked by Gilberto Gagliardi in the stylistic, musicalaesthetic, educational point of view inherent and inseparable from the work not yet formally published.