ABREU, N. A.; http://lattes.cnpq.br/5684636137149117; ABREU, Naiara Andrade de.
Resumo:
This study's purpose is to analyze northeastem singing or cantoria as a cultural
expression of the people of the Sertão Paraibano between this years of 1973 and 2000,
problematizing theirs modes of political representation: pé- de -parede and the festival .
Analyzing the discourses produced on the singing over time, its cultural a dynamic and
the experiences of the subjects of this tradition, we aim to show that the singer
represents and identity of the country through the improvise oral poetry of the singers.
In the literature, we talk with authors like Foucault (1996), Zumthor (1993), Ginzburg
(1987) Muniz (2006) and Ramalho (2000). As a methodology, we refer to the speeches
of the singers and apologists through the history now, just as we use photographic and
related images. The singing emerged in the Serra do Teixeira-PB between the late
eighteenth and early nineteenth centuries. At that time, there were the first songs of
wall-to-wall of which you have news, that spread by all the Northern interior. In 1973 ,
takes place in Cajazeiras-PB the first song festival of the Paraíba Sertão , was a
watershed in the urbanization of the singing that completes the cycle in the decade of
2000.