SILVA, Maria Hilda da.
Résumé:
This research seeks to analyze the construction of images and representations of
teacher Anayde da Costa Beiriz who were exposed and circulated introducing us
Anaydes, the woman-poet-intellectual-heroine-romantic-teacher, through
of three reference works and distinct supports, being the book of the paraibano writer José
Joffily, entitled “Anayde Beiriz: Passion and Death in the Revolution of 30”, the book of
Paraíba doctor Marcus Aranha, entitled “Anayde, the Panther of the Sleeping Eyes”,
and Rio's filmmaker Tizuka Yamasaki's film, Parahyba, Macho Woman.
We worked with documentary analysis, demonstrating how each (re) constructed the
Anayde's image, thus being able to present information and reports of Anayde's life
Beiriz, and within this context, perform an analysis of his writings in an attempt to
to "let her talk" of a "writing of herself." The paper also seeks to expose concepts of
discussion of women and their space in society, making it necessary to report the
social and cultural context of the time (Parahyba do Norte, 1920-1930), through the
Anayde Beiriz's position, role, brands and history in the social context
that was inserted, the relations of memory and power that were linked to its name, and
the demarcation of many memories with various biases. And it is precisely emphasizing its
It is arguable that the following research takes shape, to speak of the “whirlwind” Anayde
Beiriz.
