História e memória da trajetória de Chico Pereira no cangaço na cidade de Nazarezinho - PB (1918-1928).

Abstract

This thesis work has as a general theme of research the bandits, social phenomenon that set in northeastern Brazil leaving marks on culture, memory and popular imagery. His first traces emerged around the eighteenth century through the nineteenth and reached its peak in the early decades of the twentieth century. He attempted to describe part of the significant history to the creation of these bands in Paraiba, emphasizing the policy and the dominance of the colonels of the time. The bandit would not be a revolt against the Colonels. On the contrary, they complement each other. They associated themselves to local authorities or imposed against them, resolving quarrels and conflicting pending. These situations depend on the circumstances of the research time. The object shown in the figure bandit named Francisco Pereira Danas, known as Chico Pereira, a differentiated bandit of others working in the northeastern hinterland, which entered the bandits to avenge the death of his father, Jiao Pereira. The questioning revolves around, from his life and career in cognac between the years 1920 -1928 in the city of Nazarezinho - PB. From the book 'Revenge, No "by Francisco Pereira Nobrega, reports and statements of research on websites and consultation of other authors we arrived the whole path that sought to understand the main cangaço appearance factors for the development of image differentiated from the other components of the bandit gangs, and understand the history of country music worried man with the righteousness of his people that inherited the feeling of revenge.