DIAS, I.; http://lattes.cnpq.br/7538297817274510; DIAS, Iara de Sousa.
Abstract:
Brazilian literature despite it has received influence first from the Europeans, with the arrival
of the Romanticism and later Realism and Modernism, sketched a necessity to present
personages typically Brazilian. The workmanships A Fome of Rodolfo Teófilo, Luzia-Homem
of Domingos Olímpio and O Quinze of Rachel de Queiroz are great examples of this
investment in representing a Brazilian typical. Pertaining workmanships the distinct phases of
the Brazilian regionalism, bring in its recreations what it is more natural of the Brazilian,
more properly of the northeastern, when including recurrent subjects in the region, as dry and
the hunger. This research has as objective to portray the importance of books A Fome of
Rodolfo Teófilo, Luzia-Homem of Domingos Olímpio and O Quinze of Rachel de Queiroz.
For in such a way, the productions of Almeida had been revisited in this intention (1999),
Alós (2006), Antunes (2017), Castello (2004), Coutinho (2004), Kothe (1987), Portella and
Andrade (1995), Samoyault (2008), Zaidam Son (2003), among others. Searching to point and
to argue such influences in the romances A Fome e Luzia-Homem and O Quinze, had been
listed subjects guiding between the workmanships, such as: hinterland, dries, hero and
woman. Giving meant to each subject inside of the workmanships in prominence, pointing the
dialogues between them and as if it constructs to each one in the perspective of each author
and period where the workmanship is inserted. It is in each contrast, peculiarity and in as if it
inside develops each subject of the workmanships that transform them into only e of utmost
importance for Brazilian literature. Exactly the three workmanships dialoguing between itself,
each one presents an only distinct perspective that becomes them e of immeasurable meaning
for Brazilian regionalism e, mainly, the northeastern.
