A fome, Luzia-homem e o quinze: diálogos possíveis.

Abstract

Brazilian literature despite it has received influence first from the Europeans, with the arrival of the Romanticism and later Realism and Modernism, sketched a necessity to present personages typically Brazilian. The workmanships A Fome of Rodolfo Teófilo, Luzia-Homem of Domingos Olímpio and O Quinze of Rachel de Queiroz are great examples of this investment in representing a Brazilian typical. Pertaining workmanships the distinct phases of the Brazilian regionalism, bring in its recreations what it is more natural of the Brazilian, more properly of the northeastern, when including recurrent subjects in the region, as dry and the hunger. This research has as objective to portray the importance of books A Fome of Rodolfo Teófilo, Luzia-Homem of Domingos Olímpio and O Quinze of Rachel de Queiroz. For in such a way, the productions of Almeida had been revisited in this intention (1999), Alós (2006), Antunes (2017), Castello (2004), Coutinho (2004), Kothe (1987), Portella and Andrade (1995), Samoyault (2008), Zaidam Son (2003), among others. Searching to point and to argue such influences in the romances A Fome e Luzia-Homem and O Quinze, had been listed subjects guiding between the workmanships, such as: hinterland, dries, hero and woman. Giving meant to each subject inside of the workmanships in prominence, pointing the dialogues between them and as if it constructs to each one in the perspective of each author and period where the workmanship is inserted. It is in each contrast, peculiarity and in as if it inside develops each subject of the workmanships that transform them into only e of utmost importance for Brazilian literature. Exactly the three workmanships dialoguing between itself, each one presents an only distinct perspective that becomes them e of immeasurable meaning for Brazilian regionalism e, mainly, the northeastern.