"Hallyu": uma análise social do consumo de dramas Sul-Coreanos no Brasil durante a pandemia do coronavírus.

Abstract

This work aims to understand what the meanings and importance that the South Korean Dra- mas had for viewers as a way to overcome and deal with the period of the Coronavirus pan- demic. In this research two authors are used primarily for the theoretical foundation of the work, these being: Bruno Latour (1997; 2000) with the concept of controversies and Michel de Certeau (1998) with the concept of practices. This research is based on the use of Oral His- tory for the management of sources, through a questionnaire with twenty-two questions made in Google Forms, delivered by e-mail. At the end of this work, we were able to understand the various meanings attributed to the consumption of South Korean Dramas during the Corona- virus Pandemic by Brazilian consumers, beyond the aid character that they had for them dur- ing the time period of this research.